year: 1974
runtime: 84min
director: Tullio De Micheli

Bobo, an old man who has never fired a shot in his life, finds a flyer that promises money to those who will kill Tequila. These extravagant gunfighter, takes it as an adventure companion. The two arrive in a village where a wealthy landowner rules. They decide to make things right.

year: 1972
runtime: 91min
director: Steve Mc Cohy

Three brothers from Rome transplanted to Mexico smuggled arms under the guidance of their beautiful niece. They make a big deal out of it, but when the time comes, she'll know how to get them out of trouble.

year: 1974
runtime: 90min
director: Peter L. Ramirez

In Willville, every now and then, the Wesley brothers, Bud, Doc and Ray, show up with bandits' exploits. Alan Whitman, having received the nomination of the competent authority, goes there as sheriff; however, in order not to displease the old sheriff Currighan whose nephew Lisa is in love, he works as an assistant. But Alan is upset with the wrong man.

year: 1973
runtime: 100min
director: Peter Collinson

While he is in New York, setting up an arms factory, Thomas is killed by his wife and son to find out where he keeps a large sum of gold dollars hidden. Back, Thomas hides behind Ruble Noon's name and tries to take his revenge. But at the same time, he has lost his memory. Attacked by Ben Janish, he is saved by Rimes who puts himself on his tail. He is an agent in charge of finding Thomas. In possession of a credit card, which, signed by the lawyer Dean Cullane, transfers the ownership of a remote land and a small house in favor of Noon, he reaches that house together with Rimes. While being helped by a girl, Fan, Noon is persecuted by Judge Niland and Cullane's sister, convinced that the lawyer has been killed by the forgetful. The numerous adventures and bloody clashes lead Noon to slowly recover his memory and gold.

year: 1970
runtime: 83min
director: M. Esteba & A. Mollica

At the end of the Civil War, Aleck Kellaway, a fighter for the South, is tricked by the brothers Clegg and Elliot into helping them to carry out the robbery of a gold cargo belonging to the Northern Army.

year: 1971
runtime: 117min
director: Duccio Tessari

Two bandits, escaped with the complicity of a journalist (who thought they were Mexican revolutionaries), manage to seize a treasure that then ends up in the hands of the regular troops. The two join the rebels with the sole purpose of recovering their treasure, but then they become aware of the goodness of the cause of their comrades and, having returned in possession of the gold, they distribute it among the peones.

year: 1972
runtime: 90min
director: Ado Kyrou

Father Ambrosio, a monk famous for the austerity of his customs, the intransigence of his faith and the exaltation of chastity, gave in to the temptations of a beautiful witch, Matilde, who had entered the convent disguised as a novice. After becoming her lover, the friar - while the woman moves to the castle of Duke Calembour, another diabolical creature who uses to kidnap orphans to eat them or sacrifice them to the devil - falls in love with a young girl, Antonia, and for her, however, without being able to possess her, he also becomes a murderer (her mother kills her). After a temporary repentance and the revelation of his sins (which will lighten the confessor friar's emotion), Father Ambrosio surrenders again to the arts of Matilda, and follows her to the castle. Here he found Antonia, kidnapped by the duke, but the young girl killed herself. The Holy Inquisition intervened and arrested the duke, Matilde and the friar. The nobleman manages to be declared innocent; the witch frees herself, thanks to her powers; Father Ambrosio, selling his soul to the devil, not only escapes his faults, but even seems to acquire thaumaturgical property.

year: 1972
runtime: 90min
director: Marco Ferreri

Inspired from afar by a short novel by Flaiano (Melampus), but faithful expression of Ferreri's universe, it is a typical film of negation: of human relations, of society, of institutions, but also of the identity itself of the protagonists. Giorgio is a painter, who takes refuge on a deserted island under the illusion of escaping the psychological conditioning of an existence organized according to strict ideological schemes. Lisa, an object-female, will join him, deserting a cruise, to rebuild, however, an alienating master-slave relationship and place herself, albeit out of love, in a subordinate and degraded position. One day, exhausted by the cold and hunger, the two of them will get on an airplane, a remnant of war, which instead of flying up, slips towards the sea and stops on the beach. It will be an accepted death, because theirs was not a real desire to get back into life but a fiction of escape.

year: 1969
runtime: 90min
director: Legrand Francoise

The actress Susanna and her "crew", travelling to Paris, decide to stay overnight in a castle. Having come to arrest its owner, Adrian d'Ambras, Napoleon's adversary, the emperor's soldiers misunderstandably take away the first actor, Ferdinand. Having refrained from intervening, in order to be able to help more effectively, their companion, Susanna and her companions continue to the capital, bringing with them a child still in swaddling clothes found in the villa, to whom - ignoring that his father is the Count of Ambras - have given the name of Adam. Once in Paris, Susanna learns at court that the Austrian emperor refuses to give her daughter Marie-Louise as a wife to Napoleon, considering him incapable of generating. Passing Adam off as the son of Bonaparte, Susanna allows him to announce his engagement with Marie-Louise, foiling the intrigues of the Russian ambassador and Paolina Borghese: in return, the emperor undertakes not to have Ferdinand shot. In the meantime, however, Ferdinand was freed by the same Count of Ambras, to whom Napoleon, in exchange for the services that Susanna had given him, granted him forgiveness.

year: 1976
runtime: 90min
director: Bruno Mattei

Poor Leonida (Gino Pagnani) serves in the house of Count Aristide, his rich uncle with the hope of getting the legacy. At last he dies in the arms of beautiful maid, Ornella (Paola Maiolini) during an escapade. Rumors reveal that Count on his deathbed decided to leave everything to Marco (Claudio Ercoli), his illegitimate son who grew up secretly in a boarding school. The whole family of Leonida in the meantime had already moved to the luxurious estate of the Count and they certainly do not want to miss out wealth, and therefore the company of the cleverer puts in place a plan to marry the hereditary Marco to Leonida's daughter, Nicoletta (Ziggy Zanger), the little cousin. Leonida's wife, Elvira (Ria De Simone), will also be the accomplice of the subtle plan in possibly lending her own cheekiness to the young Marco.

year: 1968
runtime: 97min
director: Ugo Liberatore

The young Roberto, who left Italy for the Polynesian islands to reunite with his wife Marita, learns, once landed in Papeete, that the woman has gone to live with the indigenous Manì. Given his useless efforts to win her back, Roberto tries to understand the reasons for his choice, until, well disposed towards a "menage" of three, he decides to stay and has a hut built. Claiming to witness the effusions of Marita with Manì, he provoked the disgust of the Polynesian, who left both in the lurch. Once again attracted to each other by the prospect of turbid relations, they decided to take the plane back and return to Italy.

year: 1981
runtime: 91min
director: Nando Cicero

A particularly attractive social worker (Nadia Cassini) is sent to a run-down neighborhood in n the suburbs of Rome. Incredibly, she will manage to make things right and also find love.

year: 1964
runtime: 86min
director: Yiorgos Sarris

The young Niko leaves his modest profession as a painter and takes the road of gigolo and gambler. Because of the game he loses a huge amount of money that he can't pay, getting into debt. Fearing for his own safety, he accepts, in exchange for a large sum, to kill a girl who lives in Malvasìa. Niko finds the girl, but soon falls in love with her.

year: 1976
runtime: 75min
director: Luigi Cozzi

After an accident with her mother from the Lazio province, the very young Gianna arrives in Rome to act as a doorman in a building. In the colourful sample book of the tenants stand out the film producer De Grandis indebted up to his neck and phantastic; the ambiguous Annie Verdrè kept an eye on by the police for gambling conventions; Dr. Freudian, crazy psychoanalyst; the Sicilian couple Ippolitoni; the shy Paolino Virgili. Gianna instinctively exploits the defects of her tenants and escapes the continuous sexual persecution: the only one with whom she binds is precisely Paolino. After many battles, when De Grandis is replaced by Peppe de Peppis, Gianna - who has attracted the attention of "Paese Sera", fleeing naked from the apartment of De Grandis - becomes a movie star and affirms herself. Nevertheless, she is only happy when she can abandon herself into Paolino's arms on the beach.

year: 1972
runtime: 116min
director: Jerzy Kawalerowicz

Maddalena is a woman of provocative beauty, dissatisfied. Separated from her husband, who does not want to grant her a divorce, she has given herself to boldfaced companies, to orgies, to alcohol. During one of her "festivities", she meets a young priest, dragged in front of her for a stupid bet, by some of her friends. Obsessed with the need to redeem herself, Magdalene saw in that priest her own lifeline, both spiritual and physical. Abandoning bad friendships she became a constant presence in her days, coming to look for him everywhere, in the house, in the church, on the street. Disturbed, the priest left the parish for a small church along a motorway. Magdalene joined him there too, resumed his persecution, and was almost about to triumph over his insistence. One day, however, the priest discovered her in the company of a fisherman to whom Magdalene had already granted herself during a boat trip. This gives him the strength to move her away, but the woman does not give up: she is determined to marry him.

year: 1980
runtime: 79min
director: Marius Mattei

A forty-year-old man spends his working days surrounded by beautiful women, but he dares not do anything with any. The titular Harry (John Richardson) is a David Sullivan-esque Men's magazine publisher whose wealth and bestselling mags means that he is regularly mobbed by gangs of wannabe starlets on the streets of London. His upcoming 40th birthday brings him into close contact with such groupies, as well as ex-lovers, his magazine's staff and a crazy doctor (Terry-Thomas).

year: 1972
runtime: 80min
director: Walter Boos

A survey, conducted by young people in Munich among passers-by on health care dysfunctions in Germany, reveals a whole series of phenomena of malpractice in a private clinic. From the abuses of the "barons" who make the good and bad weather, exacerbating the hardships caused by defective structures, we move on to the erotic adventures of doctors, nurses and some exuberant patient. In particular, the sick people are uninhibited and do their best during the night shifts or in the middle of their professional activity (see the surgery room).

year: 1969
runtime: 87min
director: Sergio Bergonzelli

The film starts with a "new" vision of women: women in sport (increasingly strong and athletic), women in advertising, cinema, politics, society... When we reach the year of the protest, things are really changing and, this new social reality, is the contour of the story of the two protagonists of the film: Silvia and Pierre. Silvia and Pierre live the most significant moments of their lives together: their engagement, their loving relationships, the very recent birth of their twin sons. All of this fell into the Italian climate of 1968.Pierre is a photoreporter, Silvia is a hospital operator in the field of obstetrics.In a cine-documentary way, she deals with the facets of love and sexuality: courtship and love life; sexual discoveries, independence, virginity and feminism; the change in the relationship between man and woman; conception of children and risks related to parenting.

year: 1969
runtime: 90min
director: G. Saizescu & C. Grigoriu

During a ski race in Poiana Brasov (Romania), Oana, a young local collides with Andrei on the slopes, a TV technician, and a skier. and we've come to install the relay. As the impact of an unexpected lightning strike, love is born. But if their feelings reach immediately the boiling point, have not considered ... the limit of frost. But after losing Oana because Andrei had to work, going through a lot of adventures, finally discovers both love... even temperatures are zero.

year: 1963
runtime: 88min
director: Osvaldo Civirani

Officially created as an editing film to document women's work and behaviour, the film is actually a roundup of stripping numbers. In practice, it is a tour through European capitals and cities in search of more or less daring strip shows (for the time being): from Berlin to Hamburg, from Paris to London, from Milan to Venice, where the film ends with a gondola striptease. The film, semi documentary interspersed with interviews, is one of the usual triti tour through more or less itchy shows when the "common sense of modesty" was quite different from today. It seems that some actors appear unintentionally in the film thanks to an abusive montage of their image.